Voltron came from wanting to design something that felt genuinely ceremonial about speed. Not aggressive. Ceremonial. The nose is a stacked arrow — multiple blade planes converging to a single point, gold against the gradient burn of the body as it transitions from yellow through orange into that deep turbine red at the rear. The color itself is doing aerodynamic storytelling, heat building from bow to stern. That rear circular cowling is the centerpiece decision. Cylindrical, blunt, deliberate — completely counter to conventional LSR tail taper logic. It references jet engine housing, but more than that it gives the vehicle a visual anchor. Something for the eye to land on after traveling the full length of the body. Without it the design would simply disappear at the trailing edge.
