A direct conversation with the golden era of automotive sculpture. The surfacing language here pulls from late-60s American concept culture — deep-carved body channels, chrome tension lines running the full sill length, a canopy that dissolves into the rear haunch rather than terminating against it. The forward cab position and elongated tail are deliberate period references, handled with genuine understanding of why that proportion worked then and still does. This was earlier work, and looking at it now the ambition is clear even where the technical execution was still developing. The gesture was right. The instinct was right. Chariot is currently being revisited. A fully reworked iteration is in progress — new geometry, new context, new intent — while staying faithful to what the original concept understood intuitively: that some proportions are simply correct.
